Ellen Park, the Lone Wanderer (
aaaaaaaagh_sky) wrote2014-11-11 09:46 pm
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Voodoo - Bala
From Valley Forge to the region where Philadelphia's outskirts might be expected to begin was a decent journey. Nothing too long or too arduous, except for a few detours around this or that environmental hazard. There's a cluster of junk in the distance that might be city ruins, or might be deliberately reared walls- hard to say.
There is also a sign. It is yellow. The figure painted is a low-slung, four-legged, blunt-nosed creature of considerable girth. Its lone head is easily half as long as the thing's body, its jaws gaping ridiculously wide. The image only shows four thick fangs as far as teeth go, two to each jaw. Under its stubby-toed feet is lettered a single word: BEWARE.
Voodoo probably has a better chance of recognizing the damn thing than anyone else here.
There is also a sign. It is yellow. The figure painted is a low-slung, four-legged, blunt-nosed creature of considerable girth. Its lone head is easily half as long as the thing's body, its jaws gaping ridiculously wide. The image only shows four thick fangs as far as teeth go, two to each jaw. Under its stubby-toed feet is lettered a single word: BEWARE.
Voodoo probably has a better chance of recognizing the damn thing than anyone else here.
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Voodoo stills, listening to the snorts and chuffs of the hippos.
Then, with a grunt, he pushes himself off, legs pumping, carbine swinging across his chest as he dashes across a clearing, sliding feetfirst against what must have been a very nice sedan, once.
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The hippo noises fall quiet, which may or may not be a good thing.
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"Anyone see it?"
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"Nope."
"Nope."
"Holy fuck."
"Al, what- Jesus!"
That last was Hector, who's looking down the highway in the same direction as the horrified Al. Why is Al horrified? Because up ahead, right in front of a battered roadside sign reading WELCOME TO
FILLYPHILLY, DAMMIT LENNY YOU HAD ONE JOB in crudely scrawled paint, there's a huge, warty sausage of a beast with more head and jaw than anything living ought to have, lumbering up onto the road like it's the king of the world.no subject
"Listen. Worst comes to worse, we can outrun the damn thing, but don't shoot 'til you gotta. Plan's the same."
With a deep breath:
"Cover me."
And then, he dashes across the road into the ditch on the other side.
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When the smaller one lets out a hideous belching noise and opens its mouth so wide one could easily be forgiven thinking that its head had split, Al comes back to himself and makes a mad, frantic scramble for Voodoo's ditch.
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"Get your fuckin' head in the game."
With that, he waves the next one across, carbine leveled at the hippos.
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Hector, it has been said, is surprisingly spry and quick for a man his age. He still is. He gives Al a faintly pitying look as he slides into cover and gestures to Josepha to come their way.
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The bigger of the hippos chuffs and looks their way, and Voodoo holds out a fist.
"Drop 'n crawl, now."
Another chuff, and the creature starts to plod over towards them.
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Not that it makes her any faster than the hippo, but hey, she's trying.
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"Don't do it. Don't do it. Don't you fucking do it-"
With a long, low bellow, the hippo puts its head down and charges.
"Open fire!"
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A sensible beast would flee that kind of sound. hippos are not sensible. The other one's coming to see what's going on.
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"Fall back! Back down the road, I'll cover!"
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The thunderous charge is abruptly cut short by an even more thunderous sound of gunfire, this time coming from down the road in the direction of the city. The smaller of the hippos turns and runs off as the bigger one crashes to a spattering, bloody halt and collapses to the ground.
It will be silent for a few moments before one of the figures in orange-daubed combat armor lifts a hand and whistles.
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And Voodoo climbs out of the ditch, holding his carbine aloft in one hand, the other waving the group back to him as he walks down the road.
"Thanks for the assist. Standin' post?"
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He sticks a thumb to his chest. "Voodoo. That's Kate, Josepha, Al, and Hector. We're heading for D.C., looking to resupply here if we can."
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It takes about 15 minutes to get to the gate from where they are - not too bad a time, considering. The gate itself isn't much - it's a sliding rig between two pieces of formerly elevated highway, manned by two guards who, if Voodoo had to guess, are still grumpy from an early-morning shift change. It's surrounded by signs warning that it's under sniper surveillance - fine by him. Getting shot has never been on his to-do list.
"We'll have a look around at the market," he says to the group. "Sound off if you see something you want."
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"You should've said something, Hector," Kate says. "I might've been able to adjust them."
Hector shrugs. "Wasn't worth the bother. Let's just see what these people have."
The 76, here, is one of those old elevated roads dotted with the wrecks of cars. Someone's gone to the trouble of either pushing the cars off to the side of the road or carving them apart for scrap metal, much like a lot of the old buildings on the other side of the water. Which, by the way, we don't advise looking into. It's moving, and there are things moving in it- big, blobby things that look more like living trashbags than anything especially recognizable- but it's not a particularly pleasant view. It also smells, although in its favor it's at least an organic sort of smell, but that's like saying the NYPD police stables smell better than the Arthur Kill landfill.
Someone has rammed the arm of a mannequin onto the pole that once held a 'no u-turns' sign in the middle of the road; the hand holds a crudely painted sign reading GIRARD BRIDGE, and has an arrow pointing towards the rickety, but still mostly intact, concrete-and-stone span up ahead.
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